this is my favorite movie

fghjjjjkkkkk

I just loved it! It is not exactly fast paced, but then again it's about low life losers. It takes its time to unfold and then the climax at the end! No happy ending here.

I like the bit where they planned to rob a bank. The suitcase bit was a good idea

Not going to add spoilers, but it's a good movie. very much worth the watch

From the deadly serious likes of Animal Kingdom or Two Hands, the darkly humorous hybrids such as Chopper or Death in Brunswick or the downright outrageous misfits like Gettin Square and The Mule, Australian cinema has a long and storied affiliation with the crime genre, with the rarely spoken about but well-regarded local cult oddity Idiot Box a mostly forgotten crime comedy gem that is an important piece of the early Ben Mendelsohn puzzle in the years leading up to his eventual ascension up the Hollywood ranks. Written and directed by long-standing Australian filmmaker David Caesar, whose delivered other well known Australian features such as Mullet, Dirty Deeds and various episodes of a large collection of home grown TV series, Idiot Box follows the daily exploits of bogan best mates Kev and Mick (played with a lot of energy by Mendelsohn and his co-star Jeremy Sims, whose now a successful director) as the two dole inspired no-hopers hatch a haphazard plan to rob a bank and strike it rich in an attempt to escape the holes they have dug themselves. Consisting of a lot of Mick and Kev merely roaming around their neighbourhoods, visiting pubs, gaming arcades, local shopping malls and hanging around at home while listening to rock music and drinking VB longnecks, Idiot Box isn't always a barrel of laughs, as sadly the depressing lives of Mick and Kev aren't exactly the lives of a fantasy world that doesn't exist, Idiot Box has a rough and ready feel too it that has allowed it too barely age these close to 25 plus years on from initial release that saw the film become a minor hit at local cinemas before heading the way of a largely obscure existence in the home video market, making it a film hard to track down in today's climate. Key to the films success and a large reason why the film is able to overcome its sometimes aimless and walking in circles narrative is the interplay between Mendelsohn and Sims who work each other fantastically as their fairly unwise but somehow likable nobodies grow on us as the runtime wears on as we are caught up in their unlikely scheme to make a quick buck and start winning at life. Now a well known commodity when it comes to bringing the troubled too life in a variety of ways, Mendelsohn is as good as you'd expect as the eternally angry Kev, a man who reveals in his anger and even suggests that it is one of his main hobbies while Sims gets less moments to explode his also quietly effective as the poem loving Mick with the two performers creating one of the more memorable Australian duos of the 90's in roles that shaped their career trajectories in the years to follow. Final Say - It's not grand Australian stuff but Idiot Box is a film that deserves more reflective viewing in today's era as it sits largely unspoken about in the hallways of local productions and it stands as a further reminder of the talents of Ben Mendelsohn who has long been lighting up the screen as Hollywood slowly but steadily caught on. 3 1/2 heartfelt poem recitals out of 5. For more reviews check out Jordan and Eddie (The Movie Guys)

Idiot Box is uninteresting and unfunny. Realistic unlikable people doing unrealistic things. The ending makes all the build up for nothing, as Kev should've just shot the other bank robbers and started a hostage negotiation as he wanted to go out with a bang anyway. What a dud.

Both the style and content of this film (as previous reviewers have stated) are far from fresh, but I can't be too unkind to a film that at least doesn't pander to the PG-13 crowd with the usual doses of sitcom sensitivity and redemptive moralism. The performances are all well delivered, the look of the film is grimly realistic, and the only obligatory, sensationalistic aspect of the piece is the annoyingly typical song-track music (that gleefully exploits and sells the usual mishmash that adds up to a pop-muzak CD). There's some good dialogue here and some fine widescreen photography for those film enthusiasts who are interested in checking out the DVD release of this decent Aussie indie.

The first comment I must make about this film is that the characters are so Australian. This is not surprising considering that it is an Australian Film, but the thing is is that the characters are genuine. It is as if the makers followed some around and took down all of their mannerisms and speech patterns. I was seriously convinced that Mick and Kev were genuine. This movie was a comedy, and I really did not find it that funny. The funniest scene was when they were being chased down the street by a guy in a koala suit after stealing his money bucket. Other than that, there was not much that I found really funny about the movie. Yet as an Australian film, I think that it continues to set the standard. We don't go for fancy effects, but rather real characters, and the characters in Idiot Box are real. The movie is based around two unemployed bums, Mick and Kev. They think they know everything, but really don't. Mick fancies himself a poet and Kev fancies himself important. Mick at least has a go at being a poet, Kev is simply a looser, and very much like some Australians that I know. He is an idiot that thinks that he can think when he really cannot. He is the one that gets everybody around him into trouble, and then blames them for stuffing up. He can never do any wrong, yet he himself just can't stay out of trouble. Mick and Kev want to rob a bank. They think they can do it, but as the film progresses they seriously do not know what they are getting into. The police aren't onto them, but rather trying to stop a group that has been successfully robbing a lot of banks. Kev and Mick just happen to be in the wrong place at the wrong time. What I liked about this was that I could not predict the ending. I knew that they could not pull off the robbery because they simply do not know what they are doing. In fact they seem to make more enemies than friends. Their self centred attitudes, especially Kev's, seems to alienate them. Kev is the leader of the two, and the cover shows that because Kev is running ahead of Mick with a serious look on his face, while Mick is laughing. Idiot Box also gives us an idea of what it is like on the dole, but they are not seriously looking for a job, rather they just bludge around home and the pub. Mick and Kev are dole bludgers and as such we do not feel any sympathy for them. If anybody, we feel more sympathy for Mick because he actually seems like a nice guy. Kev is simply just shallow because he refuses to let his emotions out. When Mick meets up with a young lady, we begin to see another side of him, a side that is sensitive and loving, and we feel that he is being dragged into something by Kev. What is also interesting is that they are not made heroes at the end of the movie, and as such I feel that this raises the movie about the typical Hollywood garbage. The characters in this movie are in way over their heads, and are so fortunate that they are given a second chance.

A rip-snortingly good seriocomic Australian crime caper romp about Kev and Mick, who are a couple of slothful, shiftless, luckless, jobless, penniless, hopelessly dumb and perpetually beer-blasted couch potato twentysomething slacker meatheads who are constantly hard up for booze money. The dim-witted duo decide to reverse their misfortune by robbing a bank. Naturally, things don't go as planned, with a rival gang of clown-masked stick-up boys who've been holding up banks all over the city gumming up the works. This delightfully offbeat feature scores a 100% smack dab on the money bull's eye thanks to its engagingly off-kilter sense of raucously wiggy humor, keenly observant feel for and genuine sympathy towards miserably impoverished, just barely scraping by bottom-of-the-socioeconomic-ladder lower-class people, uniformly bang-up acting, fluid photography, and commendably unpredictable loosey-goosey narrative structure. Writer/director David Caesar tells the whole manic story with dynamic, barn-storming panache and punchy, pacy, rat-a-tat-tat bravura style to burn, adroitly pulling off a difficult balancing act of laugh-out-loud uproarious comedy and quietly affecting low-key drama (a subplot concerning the leader of the rival gang needing the stolen loot to support his junkie wife's drug habit proves to be especially poignant). The robbery itself is a marvelously tense and thrilling tour-de-force set piece. Best of all, Ben Mendelsohn as the hostile, dangerously temperamental Kev and Jeremy Simms as Kev's more laid-back, long-suffering bud Mick display a wonderfully edgy and oftentimes downright electric chemistry. While the main characters are unarguable losers, the film overall is a total winner.